Vitality Arts: Abstract Painting with Ilene Krug Mojsilov –– Minneapolis Institute of Art https://new.artsmia.org/event/vitality-arts-abstract-painting-ilene-krug-mojsilov/
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migration (empire) –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/migration-empire
May 27, 2017 – August 27, 2017 | Gallery 370 | Free Exhibition In migration (empire), artist Doug Aitken explores the complex relationship between America’s wilderness and its sprawling built environment. Images of vast landscapes, roadside motels, and industrial cityscapes from every region of the country move across the screen, calling to mind the migration of settlers across the great expanse of land
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Restoring a Masterwork III: Max Beckmann's Blind Man's Buff –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/restoring-a-masterwork-iii-max-beckmanns-blind-mans-buff-2
November 19, 2013 – March 1, 2014 | Gallery 370 | Free Exhibition Of Max Beckmann’s nine triptychs, Blind Man’s Buff is the largest and arguably the most important. The work was painted during Beckmann’s exile in Amsterdam between September 1944 and October 1945, under difficult wartime circumstances
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German Prints in the Later 1400s –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/german-prints-in-the-later-1400s
October 22, 2022 – May 14, 2023 | Winton Jones Gallery (G344) | Free Exhibition The origins of printmaking are obscure, but two principal types flourished in the 1400s: woodcuts (printed from the surfaces of wooden blocks carved in relief) and engravings (printed from the recesses of grooves cut into copper plates). The names of many early practitioners are unknown, but a few masters became leaders in the field
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Vision 2020: Contemporary Photographic Portraits at Mia –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/vision-2020-contemporary-photographic-portraits-at-mia
January 4, 2020 – September 13, 2020 | Perlman Gallery (Gallery 368) | Free Exhibition “Vision 2020” presents contemporary photographic portraits created by three groundbreaking photographers from Africa: Samuel Fosso of Cameroon, Nigeria, and the Central African Republic; Zanele Muholi of South Africa; and Omar Victor Diop of Senegal. Each photographer uses their bodily presence within the photograph to different ends, yet they hold a common interest in exploring the layered histories of race and gender within these disparate representations; in doing so, they offer insight into visual resistance, communal care, and self-affirmation
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Press Room –– Minneapolis Institute of Art https://new.artsmia.org/press-room?page=1
642 2787 (Toll Free) visit@artsmia.org Press Room Venue
Press Room –– Minneapolis Institute of Art https://new.artsmia.org/press-room?page=3
642 2787 (Toll Free) visit@artsmia.org Press Room Venue
Teaching the Arts –– Minneapolis Institute of Art https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts/
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Making Connections –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/explore/making-connections
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Teaching the Arts –– Minneapolis Institute of Art https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts
642 2787 (Toll Free) visit@artsmia.org Press Room Venue