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In Her View –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/in-her-view

July 3, 2021 – February 20, 2022 | Harrison Photography Gallery | Free Exhibition This exhibition highlights 50 years of photographic expression by a diverse roster of artists working within, against, and beyond the history of the medium: Nona Faustine, Martine Gutierrez, Deana Lawson, An-My Lê, Rania Matar, Lorraine O’Grady, Adrian Piper, Selma Fernandez Richter, Martha Rosler, Nona Faustine, Mickalene Thomas, Carrie Mae Weems, and Carmen Winant. Spanning the past half-century in modern and contemporary photography, these photographs contend with many of the period’s defining issues, especially within the United States
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Splendid Patchwork: Buddhist Monastic Robes –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/splendid-patchwork-buddhist-monastic-robes

May 4, 2024 – February 2, 2025 | Robert and Marlyss White Gallery (Gallery 281) | Free Exhibition This magnificent group of robes from Mia’s collection belonged to high-ranking Buddhist priests. Known as kashaya, they were designed to be draped over the left shoulder, under the right arm, and fastened in front under the left shoulder, and are more elaborate than the robes worn by most Buddhist monks
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The Root Collection: Living with Japanese Ceramics –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-root-collection-living-with-japanese-ceramics

August 19, 2023 – May 12, 2024 | Galleries 251, 252, 253 | Free Exhibition Tamara and Michael Root have created one of the largest, most diverse collections in the Twin Cities of studio ceramics from the 20th and 21st centuries. For nearly 35 years, they have followed the Minnesota ceramic arts scene and collected nationally and internationally, assisted by knowledgeable dealers
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Just Kids –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/just-kids

January 4, 2020 – December 13, 2020 | Harrison Photography Gallery | Free Exhibition Perhaps no other subject has been so well documented as the lives of children. The first text message to include a photographic image was a birth announcement; today, snapshots of children, teens, and young adults are among the most widely shared images across digital platforms
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Jonathan Herrera Soto: In Between / Underneath (Entremedio / Por Debajo) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/jonathan-herrera-soto-in-between-underneath-entremedio-por-debajo

July 19, 2019 – November 3, 2019 | U.S. Bank Gallery | Free Exhibition Jonathan Herrera Soto will create a new rendition of his installation „In Between / Underneath (Entremedio / Por Debajo).” The work will depict recently murdered and missing Mexican journalists, highlighting the record number of journalists killed. In exploring our relationship with complicated and often distant systems of state-sponsored violence, the exhibition invites audiences to interact with the faces representing the politically dispossessed—people who have disappeared, are incarcerated, or were executed. Herrera Soto graduated with a BFA from Minneapolis College in Art and Design in 2017
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Minneapolis Satellite Reef Part of the worldwide Crochet Coral Reef Project created by the Institute For Figuring –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/minneapolis-satellite-reef

August 23, 2015 – November 21, 2015 | | Free The Minneapolis Institute of Art is proud to present the Minneapolis Satellite Reef, part of the Institute For Figuring’s worldwide Crochet Coral Reef project. The world’s largest participatory art and science project, the IFF’s Crochet Coral Reef project combines mathematics, marine biology, environmental consciousness raising and community art practice. More than 7,000 people have helped to make these gorgeous woolen seascapes, which have been exhibited around the world. Mia invites the community to participate in the making of a Minneapolis Satellite Reef, part of the Institute For Figuring’s ongoing Satellite Reef program
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New Pictures 10, David Goldblatt: Structures of Dominion and Democracy in South Africa –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/new-pictures-10-david-goldblatt-structures-under-dominion-and-democracy-in-south-africa

August 21, 2014 – March 8, 2015 | Perlman Gallery (G368), African Galleries (G250 and G254) | Free Exhibition „In the 1980s and 90s I photographed structures that we South Africans had made during the Era of Baasskap—that time, from about 1660 until 1990, in which Whites gradually came to exert dominion over all of South Africa and its peoples. It was the values we had expressed in those structures that I sought and attempted to elicit in photographs and text. „Beginning in 1999—four years after the first democratic elections brought Nelson Mandela to power—and continuing into the present, I have engaged in a similar photography of some of the structures that have emerged with our democracy and that I believe are expressive of values in this new, still nascent and yet in many ways old way of being in our society
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