April 1, 2021 – January 16, 2022 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition This exhibition focuses on four remarkable and highly individual printmakers who worked in Italy around the year 1600. Each took a different path
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June 25, 2011 – January 15, 2012 | Winton Jones Gallery 344 | Free Exhibition Joseph F. McCrindle was a gifted art collector with a particular fondness for drawings
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May 20, 2023 – November 26, 2023 | Winton Jones Gallery (Gallery 344) | Free Exhibition Marcantonio Raimondi occupies a prominent, if awkward, place in the history of printmaking. Notorious for ripping off the designs of Albrecht Dürer (1471-1528) and famous as Raphael’s personal engraver, Marcantonio is sometimes seen as a human Xerox machine
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January 26, 2019 – March 31, 2019 | Cargill Gallery | Free Exhibition Few individuals have had as great an impact on Mia’s photography collection as Harry McClurg Drake. A dedicated philanthropist, Drake applied his humor, energy, and expansive intellect to collecting original works by internationally acclaimed photographers, including Ansel Adams, Henri Cartier-Bresson, Andre Kertesz, Irving Penn, Paul Strand, and Minor White
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July 28, 2018 – October 13, 2019 | Gallery 375 | Free Exhibition Painting and fiber art—artwork made with woven or nonwoven natural or synthetic fibers—have traditionally been viewed as distinct genres. This installation questions that division
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August 27, 2016 – February 26, 2017 | Gallery 241 | Free The Triumphal Arch is one of the most ambitious prints ever produced. Constructed from imprints of 192 panels, the enormous woodcut was part of a propaganda campaign waged by Maximilian I (1459–1519), emperor of the Holy Roman Empire
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June 10, 2018 – February 3, 2019 | Gallery 255 | Free Exhibition „Horse Nation of the Očhéthi Šakówiŋ“ explores how horses shape the history, spirituality, and culture of the Dakhóta, Nakhóta, and Lakȟóta (Dakota, Nakota, and Lakota) people, collectively known as the Očhéthi Šakówiŋ (Seven Council Fires). Horses serve as allies in hunting and in battle, but are revered for more than their utility
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March 19, 2011 – September 11, 2011 | Gallery 263 | Free Exhibition The Minneapolis Institute of Art has actively collected drawings for nearly a century, acquiring works of outstanding quality by many of the world’s most prominent artists. Expanding on this curatorial imperative, the Department of Prints and Drawings has in recent years redoubled its efforts to collect important contemporary drawings by both established and emerging artists
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July 21, 2016 – October 30, 2016 | G257 | Free exhibition Austin Swearengin’s sculptural practice focuses on understanding design and its implementation through semiotics, or the analysis of language, gestures, and objects as they relate to one another. Familiar objects are positioned in a space between utilitarian purpose and poetic intention, much as a billboard can be seen as both an architectural body and a space for communication
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June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
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