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Speculative Bodies –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/speculative-bodies

January 26, 2019 – March 1, 2020 | Gallery 369 | Free Exhibition Today we live multiple lives both online and in real life, with elastic identities that are seemingly boundless, open to fluid representation and constant reinterpretation via technology. Can the same be said of our physical bodies? Despite technology’s ever-quickening pace, we are still inextricably bound to the flesh-and-blood of the human body that we as a species have inhabited for thousands of years. The works presented in this exhibition broadly question how technology has reimagined the physical body—as avatar, prosthesis, shell, surrogate, or otherwise—as well as its ongoing ramifications for understanding the evolving human condition.
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Prints by the Katsukawa School Artists –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/prints-by-the-katsukawa-school-artists

February 26, 2011 – June 26, 2011 | Louis W Hill Jr. Gallery of Japanese Prints (239) | Free Exhibition Katsukawa Shunsho (1726-92) was one of the first woodblock print designers to create yakusha-nigao-e, or pictures that convey an actor’s actual, rather than idealized, appearance. The growing popularity of Kabuki, a highly stylized and melodramatic form of theater that appealed to Japan’s urban commoners, fostered a demand for images of popular actors
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Collage/Assemblage Part I: 1940-1989 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/collage-assemblage-part-i-1940-1989

September 2, 2023 – February 11, 2024 | Gallery 369, 373, 374 | Free Exhibition This exhibition is the first of two consecutive installations featuring the closely related techniques of collage, assemblage, photomontage, and found object sculpture. The diverse selection of artworks by leading national and international artists, drawn from Mia’s collection and local private collections, emphasizes the museum’s commitment to modern and contemporary art
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Hózhǫ́, Manifesting Beauty: Navajo Textiles from the Cahn Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/hozh%C7%AB-manifesting-beauty-navajo-textiles-from-the-cahn-collection

June 1, 2019 – November 24, 2019 | Gallery 262 and Gallery 275 | Free Exhibition Hózhǫ́ is a foundational concept in the Navajo world, encompassing ideas of beauty, harmony, balance, order, grace, health, and happiness. It is a state of being, thinking, and acting
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Vision 2020: Contemporary Photographic Portraits at Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/vision-2020-contemporary-photographic-portraits-at-mia

January 4, 2020 – September 13, 2020 | Perlman Gallery (Gallery 368) | Free Exhibition “Vision 2020” presents contemporary photographic portraits created by three groundbreaking photographers from Africa: Samuel Fosso of Cameroon, Nigeria, and the Central African Republic; Zanele Muholi of South Africa; and Omar Victor Diop of Senegal. Each photographer uses their bodily presence within the photograph to different ends, yet they hold a common interest in exploring the layered histories of race and gender within these disparate representations; in doing so, they offer insight into visual resistance, communal care, and self-affirmation
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migration (empire) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/migration-empire

May 27, 2017 – August 27, 2017 | Gallery 370 | Free Exhibition In migration (empire), artist Doug Aitken explores the complex relationship between America’s wilderness and its sprawling built environment. Images of vast landscapes, roadside motels, and industrial cityscapes from every region of the country move across the screen, calling to mind the migration of settlers across the great expanse of land
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Restoring a Masterwork III: Max Beckmann's Blind Man's Buff –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/restoring-a-masterwork-iii-max-beckmanns-blind-mans-buff-2

November 19, 2013 – March 1, 2014 | Gallery 370 | Free Exhibition Of Max Beckmann’s nine triptychs, Blind Man’s Buff is the largest and arguably the most important. The work was painted during Beckmann’s exile in Amsterdam between September 1944 and October 1945, under difficult wartime circumstances
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German Prints in the Later 1400s –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/german-prints-in-the-later-1400s

October 22, 2022 – May 14, 2023 | Winton Jones Gallery (G344) | Free Exhibition The origins of printmaking are obscure, but two principal types flourished in the 1400s: woodcuts (printed from the surfaces of wooden blocks carved in relief) and engravings (printed from the recesses of grooves cut into copper plates). The names of many early practitioners are unknown, but a few masters became leaders in the field
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