Dein Suchergebnis zum Thema: venue

Mizusashi: Japanese Water Jars from the Carol and Jeffrey Horvitz Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/mizusashi-japanese-water-jars-from-the-carol-and-jeffrey-horvitz-collection

December 23, 2017 – May 13, 2018 | Galleries 238 & 239 | Free Exhibition A mizusashi is a utensil used in the Japanese tea ceremony, a tradition with medieval origins that is still widely practiced today. In a tea gathering, a host prepares bowls of tea by whisking together powdered green tea and hot water drawn from a kettle
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MCAD@MIA 2015: Microsafari –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/mcadmia-2015-microsafari

March 26, 2015 – June 21, 2015 | Various Galleries | FREE Ever wanted to go on a safari? Minneapolis College of Art and Design (MCAD) student Mercedes Knapp created „Microsafari“ to take visitors on an imaginative expedition through the MIA’s diverse collection of art from around the world. Knapp has placed nine installations throughout the galleries, next to the artworks that inspired their creation
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Life at the Edge of Empire: North America, c. 1760–1812 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/life-at-the-edge-of-empire-north-america-c-1760-1812

February 1, 2019 – November 29, 2020 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition For North Americans living in the late 1700s and early 1800s—whether free or enslaved, Native American, or of African or European descent—a common set of historical forces impacted life, albeit in very different ways. The experiences of territorial conflict, international diplomacy, trade, and shifting national identities are explored through the artworks and furnishings installed in the 1772 Charleston Dining and Drawing Rooms, from the home of John Stuart, the superintendent of Indian Affairs for Britain’s southern colonies in North America. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Mia gratefully acknowledges the support and contributions of the many individuals and communities whose histories are told in this exhibition. Generous support provided by the National Endowment for the Arts and donors at the 2014 Mia Gala. Additional support provided by the Chipstone Foundation.
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Joe Sinness: the Flowers –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/joe-sinness

July 20, 2017 – October 29, 2017 | U.S. Bank Gallery (G257) | Free Exhibition Sexual desire and cinematic performance are filtered through the genres of still-life and portraiture in Joe Sinness’s body of work. For his MAEP exhibition, Sinness captures the beauty of communities traditionally viewed as aberrant. Juxtaposing portraits, still-lifes, theatrical sculptures, and cinematic panoramas, Sinness’s works display the performance of sexual desire
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A History of Photography Remix: Selections from the Mia Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-history-of-photography-remix-selections-from-the-mia-collection

August 11, 2018 – February 17, 2019 | Harrison Photography Gallery and Perlman Gallery | Free Exhibition From its inception in the 1820s, photography has become the most popular medium for artistic expression. Today, photographs are everywhere, whether made with a smartphone or encountered online, at home, in magazines—or here, in an art museum
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Mark Mothersbaugh: Myopia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/mark-mothersbaugh-myopia

June 18, 2015 – August 30, 2015 | Galleries 262-265, 280-281 | Free Exhibition In a body of work spanning over 30 years, Mark Mothersbaugh presents a unique combination of cultural criticism and personal expression through his drawings, films, paintings, sculpture, and music. A creative force behind Devo, the punk-era, art-house band, Mothersbaugh has been making art since before the band’s inception
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Just Imported: Global Trade in 1700s New England –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/just-imported-global-trade-in-1700s-new-england

April 22, 2017 – November 29, 2020 | Providence Parlor, G335 | Free Exhibition The Providence Parlor once occupied prime real estate on a wharf in 1700s Providence, Rhode Island. Its owners, brothers Joseph and William Russell, operated a prosperous merchant business that imported and exported goods by sea
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