FY20 Annual Report –– Minneapolis Institute of Art https://new.artsmia.org/about/administration/museum-reports/fy20-annual-report
Highlights September 10, 2020Picturing tragedy: Artists have
Dein Suchergebnis zum Thema: have
Managing Mia’s Collection –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/
address the ways that colonialism and white supremacy have
Up All Night in the 1700s –– Minneapolis Institute of Art https://new.artsmia.org/period-rooms/up-all-night
the effects that different light types and sources have
“Kitchen Dance,” a film inspired by Mia’s iconic Frankfurt Kitchen, debuts in March –– Minneapolis Institute of Art https://new.artsmia.org/stories/kitchen-dance-a-film-inspired-by-mias-iconic-frankfurt-kitchen-debuts-in-march
“A lot of the dancers’ stories have become more personal—we
Teaching the Arts –– Minneapolis Institute of Art https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts
READ MORE HERE Pedernal-From the Ranch Do you have
Teaching the Arts –– Minneapolis Institute of Art https://new.artsmia.org/programs/teachers-and-students/teaching-the-arts/
READ MORE HERE Pedernal-From the Ranch Do you have
The surprising, creative legacy behind “The Contemporary Print” –– Minneapolis Institute of Art https://new.artsmia.org/stories/the-surprising-creative-legacy-behind-the-contemporary-print
as a kind of family reunion—all these prints that have
When art was an Olympic “sport” –– Minneapolis Institute of Art https://new.artsmia.org/stories/when-art-was-an-olympic-sport
the modern Olympic Games, in 1896, over 130 sports have
The Mourners: Tomb Sculptures from the Court of Burgundy –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/the-mourners-tomb-sculptures-from-the-court-of-burgundy
January 23, 2011 – April 17, 2011 | Gallery 340 | Free Exhibition This exhibition presents thirty-eight miniature mourners (approximately 14 inches high) from the arcaded sarcophagus of Duc Jean sans Peur. These mute monks express human grief more succinctly than any other late Gothic or early Renaissance sculptures
Jean de la Huerta and Antoine le Moiturier, they have