Dein Suchergebnis zum Thema: have
Richard Holzschuh: The forgotten artist who keeps turning up –– Minneapolis Institute of Art https://new.artsmia.org/stories/richard-holzschuh-the-forgotten-artist-who-keeps-turning-up
I don’t know if I would have managed to identify the
Redfigure Volute Krater –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/deaccessioning-artworks/redfigure-volute-krater
purchased objects from Medici that were later found to have
Children in Paris: The Birthday Boy and Friends –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/children-in-paris-the-birthday-boy-and-friends
January 14, 2017 – October 8, 2017 | G353 | Free Children became a popular subject in French art in the 1880s and 1890s. Their youthful faces and childhood innocence, along with the daily routines of caring for them, attracted some of the greatest artistic talents of the period
At age 7 he is old enough to have a donkey.
Virtual Family Day: Family Portraits –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-family-day-family-portraits
If you have a Family Day Artist Tote bag from a previous
Virtual Gallery Talk: Envisioning Evil –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-gallery-talk-envisioning-evil
If you have never used Zoom before, you will be prompted
Actual Size: The Triumph of Tiny Prints –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/actual-size-the-triumph-of-tiny-prints
May 28, 2016 – November 13, 2016 | The Winton Jones Print and Drawing Gallery (G344) | Free Many great printmakers sometimes went small, eager to see what virtuoso feats of miniaturization they could wrest from their engraving tools. Mia Life Trustee John E
Some, like Rembrandt’s Goldsmith, have an intimate,
Sarah Burns and Andy Sturdevant –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/andy-sturdevant-and-sarah-ann
October 18, 2013 – December 29, 2013 | MAEP Galleries | Free Exhibition midday: Sarah Burns The sculptures in Sarah Burns’s exhibition midday reinforce her interest in prefabricated materials, such as drywall, lumber, carpet, plaster, and tiles, from which she makes expertly refined abstract shapes and sculptural forms. Her diverse practice begins with an openness to materials, yet there is also an architectural discipline and earnestness to Burns’s work; as Steen Eiler Rasmussen said, “No other art employs a colder, more abstract form, but at the same time no other art is more intimately connected with man’s daily life from the cradle to the grave.” Her sculptures and room-sized installations create experiences that oscillate between intimately constructed details and how those forms evoke domestic environments that recur in memories of personal spaces. Download the exhibition brochure of Sarah Burns’s midday (pdf) Alley Atlas: Andy Sturdevant Andy Sturdevant’s massive Alley Atlas used the MAEP gallery as the staging area for an open-source project on urban design and personal history
contributions will grow and the maps will show how the alleys have
Jaron Childs and Jonathan Bruce Williams –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/jaron-childs-and-jonathan-bruce-williams
January 17, 2014 – March 30, 2014 | MAEP Galleries | Free Exhibition How to make a world: Jaron Childs Childs will present a new series of hyper-realistic and finely detailed paintings, based on his own photographs, that are a rejoinder to contemporary attitudes about beauty in painting. He has done this by carefully choosing images that both test the limits of acceptable sentimentality for critical art and offer visual pleasures that also contain sensations of alienation and loss
Previous installations have included images that flash
Virtual Curator Talk: Tom Rassieur –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-curator-talk-tom-rassieur
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