Redfigure Volute Krater –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/deaccessioning-artworks/redfigure-volute-krater/
purchased objects from Medici that were later found to have
purchased objects from Medici that were later found to have
July 19, 2018 – October 28, 2018 | U.S. Bank Gallery | Free Exhibition Throughout her career, Beth Dow has explored the dual nature of the photograph as both an image you see and an object you handle. For her exhibition, Prediction Error, Beth plays with our perception and expectations
Dow’s photographs have been exhibited throughout the
His exhibition projects have included solo presentations
reinterpreted and placed among works they might never have
January 14, 2017 – October 8, 2017 | G353 | Free Children became a popular subject in French art in the 1880s and 1890s. Their youthful faces and childhood innocence, along with the daily routines of caring for them, attracted some of the greatest artistic talents of the period
At age 7 he is old enough to have a donkey.
While applications for current opportunities have closed
February 21, 2019 – January 3, 2021 | Galleries 373 and 374 | Free Exhibition Taking inspiration from Mia’s recent acquisition of Frank Bowling’s map painting False Start (1970), “Mapping Black Identities” challenges the notion of Black identity as monolithic. Championing the diverse experiences of artists from America, Africa, and the diaspora, this exhibition seeks to amplify underrepresented voices and create connections around the concept of Blackness in contemporary art across time and place. Mapping is a colonial practice tied to painful histories of conquest and domination
powerful way to reclaim spaces—such as the museum—that have
February 21, 2019 – January 3, 2021 | Galleries 373 and 374 | Free Exhibition Taking inspiration from Mia’s recent acquisition of Frank Bowling’s map painting False Start (1970), “Mapping Black Identities” challenges the notion of Black identity as monolithic. Championing the diverse experiences of artists from America, Africa, and the diaspora, this exhibition seeks to amplify underrepresented voices and create connections around the concept of Blackness in contemporary art across time and place. Mapping is a colonial practice tied to painful histories of conquest and domination
powerful way to reclaim spaces—such as the museum—that have
October 26, 2024 – October 19, 2025 | Gallery 203 | Free Exhibition The narrative painting genre has been popular in Chinese art since the Han dynasty nearly two thousand years ago. The subjects of these paintings vary widely, from mythology and classic literature to history and political satire
permanent collection that showcase how Chinese artists have
Genevieve), have patiently re-created these drinks