Virtual Event: The Holocaust: A Perspective from Yad Veshem –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-event-the-holocaust-a-perspective-from-yad-veshem
If you have never used Zoom before, you will be prompted
Dein Suchergebnis zum Thema: have
Way of the Sephardim: Judaica from the Sephardic Tradition –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/way-of-the-sephardim-judaica-from-the-sephardic-tradition
May 28, 2011 – July 8, 2012 | Harold and Mickey Smith Gallery of Jewish Arts and Culture 362 | Free Exhibition The Sephardic tradition refers to Jews whose heritage dates back to Spain before the fifteenth century. After being expelled from Spain by rulers Ferdinand and Isabella in 1492, Spanish Jews emigrated to Northern Africa, Italy, the Ottoman Empire (today’s Turkey), and back to the Middle East
Jews, those who originated in the Middle East and have
Another Look –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/another-look
July 29, 2023 – December 17, 2023 | Harrison Photography Gallery | Free Exhibition Mirrors and photographs, individually and combined, offer us glimpses of ourselves and the world around us. „Another Look“ examines the use of reflective surfaces as sites of photographic experimentation and discovery
Compositionally and conceptually, photographers have
Celebrating Pride Month with Zanele Muholi’s photography –– Minneapolis Institute of Art https://new.artsmia.org/stories/celebrating-pride-month-with-zanele-muholis-photography
gaze, the poise and self-confidence with which they have
Félix Bracquemond: Etcher of Birds –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/felix-bracquemond-etcher-of-birds
November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
More than a dozen bird prints have landed in this exhibition
Virtual Panel Discussion: From the Feast Table –– Minneapolis Institute of Art https://new.artsmia.org/event/virtual-panel-discussion-from-the-feast-table
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Art in the Age of Globalization –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/art-in-the-age-of-globalization
September 16, 2012 – July 14, 2013 | Target Wing | Free Exhibition Spanning centuries and originating in nearly every place on Earth, the artworks in these galleries explore significant aspects of the world’s evolving cultures. „Art in the Age of Globalization“ presents eight installations, or „mini-exhibitions,“ each designed around a specific narrative or theme related to globalization
In this area of the museum, curators have mined the
Building the Collection –– Minneapolis Institute of Art https://new.artsmia.org/art-artists/managing-mias-collection/building-the-collection/
Many countries have laws governing the export of cultural
Celestial Fragrance: Chinese Flower-and-Bird Painting –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/celestial-fragrance-chinese-flower-and-bird-painting
February 26, 2012 – June 30, 2012 | Sit Investment Associate Galleries (200 and 203) | Free Exhibition This exhibition presents an enduring tradition of Chinese flower-and-bird painting during the Ming and Qing dynasties (fourteenth through nineteenth century). Drawn from the holdings of the Minneapolis Institute of Art, the exhibition features a group of thirty stunning scrolls
with social, religious, and political allusions, and have
The Experiment Continues: Design from 1945 to the Present –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/the-experiment-continues-design-from-1945-to-the-present
May 19, 2011 – September 11, 2011 | Cargill Gallery 103 | Free Exhibition The MIA’s Modernism collection, focusing on decorative arts and design from 1880 to 1940, is one of the world’s best. Taking that collection as a departure point, this exhibition brings attention to the museum’s modest but notable holdings of design from the post-World War II era to the present
and European designers over the last six decades have