Mia marks Women’s History Month with “Cheering Woman” in lobby –– Minneapolis Institute of Art https://new.artsmia.org/stories/mia-marks-womens-history-month-with-cheering-woman-in-lobby
steel—a traditionally “male” medium—she is crossing gender
steel—a traditionally “male” medium—she is crossing gender
November 1, 2016 – January 1, 2017 | Community Commons | Free Artist Sam Gould created this activity in response to two of Mia’s exhibitions, Martin Luther: Art and the Reformationand Resistance, Protest, Resilience. You are invited to read the texts and to pose questions that are non-binary, that is, that aren’t easily answered by a simple “yes” or “no”
The topics of gender and right/wrong often get discussed
November 10, 2012 – March 25, 2013 | Gallery 255 | Free Exhibition The history of woven textiles as a highly regarded, refined art form in Latin America spans 12 millennia. Physical evidence includes fragments of cloth and rope found in a Peruvian cave dating to about 10,000 BCE, and pieces of woven cords and mats made by the Olmec between 2,500 and 1,200 BCE along the Gulf Coast of Mexico
traditional textiles communicate information about the age, gender
October 19, 2012 – December 30, 2012 | MAEP Galleries | Free Exhibition Coming Out Party: Broc Blegen All of the works in Coming Out Party are copies, made in exacting detail by Broc Blegen or hired fabricators, of important works by well-established contemporary artists. He has researched and chosen works that can be accurately duplicated so that they come very close to replicating the form and experience of the original piece
exhibition, he focuses on pieces that explore issues of gender
July 16, 2010 – September 26, 2010 | | FREE Kuon (Eternal Flow of Time): Mayumi Amada Through her multimedia installations and sculpture, Amada creates elaborate cut-outs representing the patterns of life and the repeated forms that are shared across generations. Using doilies and lacework patterns as a basis for exploring time, her exhibition “Kuon” (Japanese for the Buddhist concept of time), is full of the dichotomies that inhabit everyday lives, transforming man-made, cast-off materials into glowing, weightless, natural forms
Her aesthetic meditations on gender, ancestry, and
Our first-floor Family Center has an all-gender family
the pressure to conform to societal norms around gender
August 25, 2018 – January 6, 2019 | Cargill Gallery | Free Exhibition Chicago has played a leading role in the development of modern architecture, music, literature, and popular culture. But what about art? This exhibition includes a broad range of art by artists who have called Chicago home
book references, works that play with conventions of gender
our collection to explore race, class, immigration, gender
our collection to explore race, class, immigration, gender