When Home Won’t Let You Stay: Art and Migration –– Minneapolis Institute of Art https://new.artsmia.org/when-home-wont-let-you-stay-art-and-migration/
The Museum of Modern Art, New York. Photographer: Jonathan Muzikar.
Dein Suchergebnis zum Thema: New York
Timber! Art and Woodwork at the Fall of the Austro-Hungarian Empire –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/timber-art-woodwork-fall-austro-hungarian-empire
August 30, 2025 – January 4, 2026 | Cargill Gallery | Free Exhibition This exhibition centers on Egon Schiele’s haunting and rarely seen masterpiece, Sawmill (1913), on loan from a private collection. A mill, located on the boundary of the Austro-Hungarian Empire, is surrounded by piles of freshly cut timber, but itself seems to be in a process of collapse
Kallir Family Foundation, New York. Timber!
Opening Celebration: Timber! –– Minneapolis Institute of Art https://new.artsmia.org/event/opening-celebration-timber
Kallir Family Foundation, New York. Opening Celebration: Timber!
Beyond the Selfie: Portraits in the 21st Century –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/beyond-the-selfie-portraits-in-the-21st-century
May 14, 2016 – October 12, 2016 | Perlman Gallery (G368) | Free Exhibition In an age when anyone with a cell phone can make a self-portrait daily, even instantly, this show will consider a genre that has been important to artists through the ages. Featuring a selection of widely varied 21st-century self-portraits, this exhibition showcases works that are striking for their slowed down, careful, existential examination of the self. Artists working across different media—drawing, painting, photography, print, and sculpture—are featured, including Chuck Close, Stacey Davidson, Nina Katchadourian, Leonardo Lasansky, Glenn Ligon, Cobi Moules, Freya Payne, and Zak Smith.
Lewis Hillstrom Fund 2014.120.2 ©Freya Payne, Courtesy Flowers Gallery London l New
Matrimonial Bliss: Chagall’s Double Portrait with Wine Glass –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/matrimonial-bliss-chagalls-double-portrait-with-wineglass
May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
Art Moderne, Centre Georges Pompidou Photo: © 2017 Artists Rights Society (ARS), New
Matrimonial Bliss: Chagall's Double Portrait with Wine Glass –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/matrimonial-bliss-chagalls-double-portrait-with-wineglass-2
May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
Art Moderne, Centre Georges Pompidou Photo: © 2017 Artists Rights Society (ARS), New
Picasso Cuts the Bull –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/picasso-cuts-the-bull
April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow 2018.36.5 © Estate of Pablo Picasso / Artists Rights Society (ARS), New
Sara Cwynar: Image Model Muse –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/sara-cwynar
September 14, 2018 – January 20, 2019 | Gallery 369 and Gallery 370 | Free The work of Sara Cwynar explores the subjects of color and design, both in film and photography, and considers the ways they have operated politically, socially and historically, particularly in the context of how we conceptualize beauty. Her research-oriented films are meditations on the emotional impact of color, design and popular imagery, and their role in the manifestation of desire for objects and others
. (76.2 x 96.52 cm) Courtesy the artist, Cooper Cole, Toronto, Foxy Production, New
Speculative Bodies –– Minneapolis Institute of Art https://new.artsmia.org/exhibition/speculative-bodies
January 26, 2019 – March 1, 2020 | Gallery 369 | Free Exhibition Today we live multiple lives both online and in real life, with elastic identities that are seemingly boundless, open to fluid representation and constant reinterpretation via technology. Can the same be said of our physical bodies? Despite technology’s ever-quickening pace, we are still inextricably bound to the flesh-and-blood of the human body that we as a species have inhabited for thousands of years. The works presented in this exhibition broadly question how technology has reimagined the physical body—as avatar, prosthesis, shell, surrogate, or otherwise—as well as its ongoing ramifications for understanding the evolving human condition.
stretched over wood panel; Image courtesy the artist and Gavin Brown’s enterprise, New