April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
of Pablo Picasso / Artists Rights Society (ARS), New
May 14, 2016 – October 12, 2016 | Perlman Gallery (G368) | Free Exhibition In an age when anyone with a cell phone can make a self-portrait daily, even instantly, this show will consider a genre that has been important to artists through the ages. Featuring a selection of widely varied 21st-century self-portraits, this exhibition showcases works that are striking for their slowed down, careful, existential examination of the self. Artists working across different media—drawing, painting, photography, print, and sculpture—are featured, including Chuck Close, Stacey Davidson, Nina Katchadourian, Leonardo Lasansky, Glenn Ligon, Cobi Moules, Freya Payne, and Zak Smith.
2014.120.2 ©Freya Payne, Courtesy Flowers Gallery London l New
May 13, 2021 – November 7, 2021 | Perlman Gallery | Free Exhibition Hindsight presents a case for the decisive impact of women upon the history of documentary photography through a selection of prints drawn from Mia’s collection as well as that of Dan Shogren and Susan Meyer. Centering the work of six American photographers—Margaret Bourke-White, Esther Bubley, Imogen Cunningham, Dorothea Lange, Genevieve Naylor, and Marion Post Wolcott—the exhibition showcases images that were created for a diverse range of projects, from governmental commissions to editorial assignments
Bubley, American, 1921-1998, Greyhound Bus Station, New
Currents“ series, published by Castelli Graphics in New
New York: Bonhams, 2022, pp. 54-74 Liu, Yang.
September 14, 2018 – January 20, 2019 | Gallery 369 and Gallery 370 | Free The work of Sara Cwynar explores the subjects of color and design, both in film and photography, and considers the ways they have operated politically, socially and historically, particularly in the context of how we conceptualize beauty. Her research-oriented films are meditations on the emotional impact of color, design and popular imagery, and their role in the manifestation of desire for objects and others
the artist, Cooper Cole, Toronto, Foxy Production, New
January 26, 2019 – March 1, 2020 | Gallery 369 | Free Exhibition Today we live multiple lives both online and in real life, with elastic identities that are seemingly boundless, open to fluid representation and constant reinterpretation via technology. Can the same be said of our physical bodies? Despite technology’s ever-quickening pace, we are still inextricably bound to the flesh-and-blood of the human body that we as a species have inhabited for thousands of years. The works presented in this exhibition broadly question how technology has reimagined the physical body—as avatar, prosthesis, shell, surrogate, or otherwise—as well as its ongoing ramifications for understanding the evolving human condition.
courtesy the artist and Gavin Brown’s enterprise, New
May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
Pompidou Photo: © 2017 Artists Rights Society (ARS), New
May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
Pompidou Photo: © 2017 Artists Rights Society (ARS), New
United States in the post-war era, died on May 4 in New
